We tend to supply the objects of our love with fantasies, including fantasies about form. I began to sublimate my Paduan Giotto on canvases the same size as the frescoes. Of course the result is "my" Giotto, imbued with the characteristics of my painting. These characteristics have emerged after long years of work and are, for me, a logical progression. But they have also been formed over the years under the influence of Giotto.
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